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Daily Information Review

 

By UK standards, the U.S. has a brash, in-your-face culture, and New Yorkers’ lifestyle is even more extreme. Fittingly then, we are greeted by a huge photograph of the sumptuous Plaza Hotel and very bright house lights. Then we hear Frank Sinatra singing “New York, New York” (far too quietly for me), and Neil Simon’s beautifully constructed script allows us to eavesdrop on three scenes in the life of the Plaza Hotel's Suite 719.

There’s a couple who married and honeymooned in 719 exactly twenty-three years ago today (or should that be tomorrow?), and she wants to revive the romance in their marriage, but he’s having an affair with his secretary, who actually turns up for a ‘meeting’ with him! Then we meet a Hollywood mogul, desperately trying to seduce an old school friend who he hasn’t seen for years, and who is still just as innocent as when she was fifteen, but all she cares about is the glossy magazine gossip that surrounds his lifestyle. Finally, Mimsey is getting married today, but has cold feet and has locked herself in the ensuite bathroom while her mother and father argue about who has been the better parent, not realising that their arguments are the precise reason she is having second thoughts. All three episodes are both sad and funny in turn as we recognise universal human frailties and stupidity. All are well-made vignettes, slickly performed.

Assured directing by Janet Bolam moves the characters around a suitably plush set with ease, and the actors, after the inevitable initial nervousness, find pace and colour in their scenes, although I didn’t understand why they regularly looked in the audience’s direction when talking to each other. The lighting is harsh and colourless, and Frank Sinatra’s songs that begin and end each story could be much louder, but the three pairs of actors who carry the evening are excellent. They’ve worked hard, totally own the text, have believable relationships and are universally recognisable characters. They find the tragedy, pathos and humour in the script perfectly, and I chuckled at their predicaments - not because they were silly, but because they were all too easy to empathise with.

This was a lovely evening with too many empty seats for such a charming theatrical achievement.

Steve Woodward, 16/04/08      

Theatreworld Magazine

PLAZA SUITE
By Neil Simon
Performed by the Oxford Theatre Guild
At the Oxford Playhouse until 19 April
 
 
Essentially 3, one-act plays, featuring 3 different couples, set in Suite (719) at the Plaza Hotel, New York.  Plaza Suite gives us an insight into the complex relationships between men and women and how humour can be found even in painful situations, or indeed, especially in painful situations. 
 
Karen Nash (Sam Knipe) and her husband Sam (Simon Vail) are trying to rekindle their romance after 23/24 (She's sure.  He isn't.) years of marriage by staying where they had their honeymoon.  She is nostalgic and hopeful.  He is dying to nip off to see his mistress.  Smart and cutting dialogue masks what is going on beneath the surface - gutsy performances by both actors
 
Hotshot Hollywood Producer Jesse Kiplinger (Dave Crewe) is weary of his celebrity life and after 3 disastrous marriage failures decides to seek out his high school sweetheart Muriel Tate (Emma Way) - 'the only uncorrupt woman left in the world' -  to find that she has followed his career avidly in the gossip columns for 17 years and is as star struck as any groupie.  Ditsy, cute and smelling 'fresh like peppermint', Muriel is a breath of fresh air to Jesse.  Neither seems to understand the other's motives for being in the suite and this, coupled with the ever-increasingly inebriated state of Muriel on Vodka Stingers provide plenty of comic opportunities
 
Roy (Nick Quartley) and Norma Hubley (Cathy Oakes) are staying at the hotel for their daughter (Katherine Callison) Mimsey's wedding ... but will she ever come out of the bathroom where she has barricaded herself in?  Her Father is obsessed with money 'No time for second thoughts ... it's costing me $8000 for the 1st thoughts!'  The most visually comic of the 3 plays, some of the action is pure slapstick - Norma rips her stockings and is sure she is having a heart attack, Roy nurses his 'broken' arm after trying to batter down the door, then hangs over 59th Street by his fingertips and gets half drowned in a storm whilst trying to reach the bathroom window ... which is locked ... so that 's that then!?
 
As the action moves on, Suite 719 gives up its secrets contained within very clever dialogue on many levels, the most memorable for me being 'I've done my best (long pause) and we've failed (emphasis on the we!)'. Expertly delivered and caused much laughter but also perfectly summed up the relationship between Roy and Norma and ultimately what Mimsey does not want her not yet happening marriage to become
 
Energetic performance from John Mansfield who has a busy time as Waiter (playlet 1) Waiter (playlet 2) and Borden Eisler (Mimsey's intended) in the final of the 3 (although admittedly he only has to deliver ONE line ... but what a line?!).  Adam Potterton plays the sympathetic Bellhop in playlet 1, and Katherine Callison also plays Jean McCormack, completing this very talented Amateur Ensemble
 
Reviewed by Debby Taylor and Ally Douglas for Theatreworld Internet Magazine 15-04-2008
 

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